In partnership with Land InSights, master coordinator of the Montreal First Peoples Festival, La Guilde presents the exhibition Sonny Assu: A Selective History, from July 26 to November 24, 2018.
This exhibition showcases ten works in total from two important series of his most recent productions: #NeverIdle and Interventions on the Imaginary. The corpus of artworks exhibited thus represents five years of creations. This event will mark La Guilde’s first collaboration with the artist, as well as his first solo exhibition in Montreal since 2016.
Sonny Assu is known for his esthetic interventions which call to mind tags (graffiti); boasting abstract and ovoidal shapes, they are distinctive of Northwest coast iconography, acting as a claim to First Nations cultures, despite Canada’s repeated efforts to assimilate such cultures. Also known for his sense of humour and his subversive works, the artist bases his practice on the exploration of consumption, colonization and imperialism.
► SONNY ASSU
Multidisciplinary artist born in 1975 in North Delta, British Columbia, Sonny Assu only discovers his Liǥwildaʼx̱w / Kwakwaka’wakw heritage at the age of eight years old. A crucial revelation which will several years later become the esthetic starting point of his artistic practice. Having grown up in suburbia, Assu was from a tender age fully immersed in pop culture. In his work, one can denote among others references to graffiti, to science fiction series, and to new technologies. His artwork, halfway between tradition and modernity, creates a dialogue on the exploration of consumption, colonization and imperialism. Through disillusioned humour, he explores his own family history, while attempting to highlight Canada’s shadowy past with regards to its relations with First Nations peoples.
Despite being in his young forties, Assu has an impressive track record. Having graduated in 2002 with a Bachelor’s degree from the Emily Carr University of Art and Design in British Columbia, and in 2017 with a Master’s degree from Concordia University in Quebec, he has received numerous prizes and distinctions, the most notable being the BC Creative Achievement Award in First Nations Art in 2011, and in 2017, he won the REVEAL grant, First Nations Art category. His work has been exhibited in the most prestigious museums and galleries in Canada, Paris and in Seattle. His artwork has been integrated into many noteworthy collections, such as that of the National Gallery of Canada, the Vancouver Art Gallery and the Seattle Office of Arts and Cultural Affairs. He currently lives and works in Ligwiłda’xw (Campbell River, B.C.), an unceded territory.
Image : SONNY ASSU
Home Coming, 2014
Digital intervention on Paul Kane painting (Scene near Walla Walla, 1848-52), edition of 5
Courtesy of the artist and Art Mûr Gallery